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<dc:title>The only truly alien planet is earth: J. G. Ballard, dalla fantascienza al mainstream tra romanticismo e surrealismo</dc:title>
<dc:creator>SANNA, IGNAZIO</dc:creator>
<dc:contributor>BAXTER, JEANNETTE</dc:contributor>
<dc:contributor>PALA, MAURO</dc:contributor>
<dc:subject>Letteratura inglese</dc:subject>
<dc:subject>avanguardia</dc:subject>
<dc:subject>avant-garde</dc:subject>
<dc:subject>english literature</dc:subject>
<dc:subject>fantascienza</dc:subject>
<dc:subject>romanticism</dc:subject>
<dc:subject>romanticismo</dc:subject>
<dc:subject>science fiction</dc:subject>
<dc:subject>surrealism</dc:subject>
<dc:subject>surrealismo</dc:subject>
<dc:subject>Settore L-FIL-LET/14 - Critica Letteraria e Letterature Comparate</dc:subject>
<dc:description>As an author J. G. Ballard used to deal with different genres and topics, producing several short stories and a number of novels. Yet he has always been true to himself. He started as a science fiction writer, which in a sense he was until the end. With some occasional romantic references, over the years Ballard’s fiction ranged from a personal surrealistic mood to novelized autobiography. He also had a keen interest in psychopathology and society, while being somehow haunted by his experience as a civilian prisoner of war in his early teenage years. This study shows how, like a chameleon, he often appeared under different guises, but always stayed undisputedly ‘Ballardian’.</dc:description>
<dc:date>2012-02-23</dc:date>
<dc:type>info:eu-repo/semantics/doctoralThesis</dc:type>
<dc:identifier>http://hdl.handle.net/11584/266358</dc:identifier>
<dc:language>ita</dc:language>
<dc:relation>numberofpages:176</dc:relation>
<dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
<dc:relation>alleditors:BAXTER, JEANNETTE</dc:relation>
<dc:publisher>Università degli Studi di Cagliari</dc:publisher>
<dc:rights>license:Non specificato</dc:rights>
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