<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/CINECAstyle.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-25T10:42:33Z</responseDate><request verb="GetRecord" identifier="oai:iris.unica.it:11584/266551" metadataPrefix="oai_dc">https://iris.unica.it/oai/request</request><GetRecord><record><header><identifier>oai:iris.unica.it:11584/266551</identifier><datestamp>2022-10-15T19:53:05Z</datestamp><setSpec>com_11584_207615</setSpec><setSpec>com_11584_111066</setSpec><setSpec>col_11584_265854</setSpec></header><metadata><oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:doc="http://www.lyncode.com/xoai" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
<dc:title>La costruzione di una Vision Paysagere. Studi sull’utilizzo dell’azione fotografica come strumento di progetto di paesaggio</dc:title>
<dc:creator>MELONI, GIAIME</dc:creator>
<dc:subject>Sardinia</dc:subject>
<dc:subject>Sulcis</dc:subject>
<dc:subject>landscape</dc:subject>
<dc:subject>photography</dc:subject>
<dc:subject>post-industrial territory</dc:subject>
<dc:subject>Settore ICAR/14 - Composizione Architettonica e Urbana</dc:subject>
<dc:description>The thesis aims at exploring the relationship between the landscape project, conceived as&#xd;
a discipline able to transform the material and immaterial territory, and the photographic&#xd;
practice . It is an interdisciplinary research that attempts to understand the possible&#xd;
interactions between the two branches of knowledge, avoiding the submission of one&#xd;
over the other. It is so conceived a field of research on the design culture oriented to&#xd;
determine the potential use of photography as a contribution to the conception of&#xd;
space. The study highlights some key issues: Can the photography, as representation and&#xd;
critical interpretation, perform a role in the process of transformation of the material&#xd;
and immaterial territory? What is the influence of a practice of selective fragmentation&#xd;
of the landscape on the design thinking? May a mechanism of reproduction of the&#xd;
reality propose a concrete way of conceiving the space?&#xd;
In order to answer these questions the research developed a methodology oriented&#xd;
to the combination of two levels of study. On the one hand the creation of a broad&#xd;
knowledge which examines the status of the photography in relation to the landscape,&#xd;
going beyond the simple categorization of a photographic genre. On the other hand an&#xd;
experimental practice of photographic action in the context of the coastal landscape&#xd;
of the Sulcis-Iglesias, in Sardinia. It is an effort aimed at a critical representation of the&#xd;
territory. The aim is to build a concept of vision paysagère, as a specific visual action,&#xd;
which avoids the formation of stereotypes. A practice able to offer an interpretative&#xd;
view on the landscape.</dc:description>
<dc:date>2014-09-09</dc:date>
<dc:type>info:eu-repo/semantics/doctoralThesis</dc:type>
<dc:identifier>http://hdl.handle.net/11584/266551</dc:identifier>
<dc:language>ita</dc:language>
<dc:relation>numberofpages:316</dc:relation>
<dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
<dc:publisher>Università degli Studi di Cagliari</dc:publisher>
<dc:rights>license:Non specificato</dc:rights>
</oai_dc:dc></metadata></record></GetRecord></OAI-PMH>