<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/CINECAstyle.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-24T20:55:57Z</responseDate><request verb="GetRecord" identifier="oai:iris.unica.it:11584/266742" metadataPrefix="oai_dc">https://iris.unica.it/oai/request</request><GetRecord><record><header><identifier>oai:iris.unica.it:11584/266742</identifier><datestamp>2022-10-20T09:19:09Z</datestamp><setSpec>com_11584_207615</setSpec><setSpec>com_11584_111066</setSpec><setSpec>col_11584_265854</setSpec></header><metadata><oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:doc="http://www.lyncode.com/xoai" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
<dc:title>Parole e immagini nella ritualità della Settimana Santa in Sardegna. Fonti scritte e sculture lignee nella pratica rituale dell’epoca moderna</dc:title>
<dc:creator>TOLA, FABRIZIO</dc:creator>
<dc:subject>Baroque</dc:subject>
<dc:subject>Catholic-Reformation</dc:subject>
<dc:subject>Holy Week</dc:subject>
<dc:subject>arte sacra</dc:subject>
<dc:subject>barocco</dc:subject>
<dc:subject>controriforma</dc:subject>
<dc:subject>preaching</dc:subject>
<dc:subject>predicazione</dc:subject>
<dc:subject>sacred art</dc:subject>
<dc:subject>sculture lignee</dc:subject>
<dc:subject>settimana santa</dc:subject>
<dc:subject>wooden sculptures</dc:subject>
<dc:subject>Settore L-ANT/02 - Storia Greca</dc:subject>
<dc:description>The thesis intends to demonstrate how in the seventeenth and eighteenth century Sardinia it&#xd;
was fundamental for the Church to use the preached word and meditative text along with the&#xd;
devotional image. These are the same tools for control and indoctrination for the faithful. This&#xd;
particular phenomenon, even more marked in the modern age, is realized in Sardinia&#xd;
especially in the rites of Holy Week still celebrated today, the function of the "Deposition"&#xd;
and devotion to the Mysteries of the Passion, reconstructing the origin and development of&#xd;
these rites. It outlines the historical and social context of Sardinia in the XVII-XVIII Century.&#xd;
Emphasizing the devotional and religious aspect in particular towards the Passion of Christ.&#xd;
Including once the religious importance of the event in the Sardinian society of the time and&#xd;
of Easter is understood, as the central moment of the liturgical year, we analyze the function&#xd;
that the sacred image had in the rites practiced in the island, which had greater importance&#xd;
because it was supported by the preached word. Then some homiletic and meditative texts of&#xd;
the seventeenth century are examined, within this perspective. Finally, the historical and&#xd;
artistic side is deepened by critical study of some wooden sculptures, used in these rituals,&#xd;
which is published unedited, incorporating them into specific areas of production and proving&#xd;
once again how modern era Sardinia was a cultural and artistic crossroads and trading center.</dc:description>
<dc:date>2016-03-30</dc:date>
<dc:type>info:eu-repo/semantics/doctoralThesis</dc:type>
<dc:identifier>http://hdl.handle.net/11584/266742</dc:identifier>
<dc:language>ita</dc:language>
<dc:relation>numberofpages:595</dc:relation>
<dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
<dc:publisher>Università degli Studi di Cagliari</dc:publisher>
<dc:rights>license:Non specificato</dc:rights>
</oai_dc:dc></metadata></record></GetRecord></OAI-PMH>