<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/CINECAstyle.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-23T06:33:14Z</responseDate><request verb="GetRecord" identifier="oai:iris.unica.it:11584/266858" metadataPrefix="oai_dc">https://iris.unica.it/oai/request</request><GetRecord><record><header><identifier>oai:iris.unica.it:11584/266858</identifier><datestamp>2025-06-13T02:25:55Z</datestamp><setSpec>com_11584_207615</setSpec><setSpec>com_11584_111066</setSpec><setSpec>col_11584_265854</setSpec></header><metadata><oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:doc="http://www.lyncode.com/xoai" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:dc="http://purl.org/dc/elements/1.1/" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
<dc:title>Da luogo a logo. Trasformazioni dell’identità visiva in Sardegna</dc:title>
<dc:creator>ASILI, STEFANO</dc:creator>
<dc:subject>Sardegna</dc:subject>
<dc:subject>Sardinia</dc:subject>
<dc:subject>brand</dc:subject>
<dc:subject>design</dc:subject>
<dc:subject>destination</dc:subject>
<dc:subject>grafica</dc:subject>
<dc:subject>graphic</dc:subject>
<dc:subject>logo</dc:subject>
<dc:subject>tourism</dc:subject>
<dc:subject>Settore ICAR/13 - Disegno Industriale</dc:subject>
<dc:description>The work explores the interactions between places and visual identities: from heraldry to the flags , to the trademarks and&#xd;
logos of today's" destinations" , the term which are marked the places considered as tourist targets. The logo - the icon by&#xd;
which a power asserts its authority - is an ambivalent element : it needs to be strong and repeateble, but its synthesis is&#xd;
intrinsically adaptive. An object of modernity, that always more frequently, in a world that points to homogeneisation, is&#xd;
not the result but the first constituent of an identity - not only cultural, but even physical, architectural , geographical -&#xd;
increasingly weak. Following a discussion on international practices , the work focuses on Sardinia, a sensitive territory&#xd;
where sensitive history and modernity meet, often with a critical outcoming. In this context some projects having the&#xd;
communication of the places on the island are presented.</dc:description>
<dc:date>2015-05-18</dc:date>
<dc:type>info:eu-repo/semantics/doctoralThesis</dc:type>
<dc:identifier>http://hdl.handle.net/11584/266858</dc:identifier>
<dc:language>ita</dc:language>
<dc:relation>numberofpages:252</dc:relation>
<dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
<dc:publisher>Università degli Studi di Cagliari</dc:publisher>
<dc:rights>license:Non specificato</dc:rights>
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