The Drawing is characterized as a means of knowledge and a privileged medium for reading, managing and communicating space and form. The investigated reality can be decomposed, analyzed, recomposed and represented through easier and immediate reading patterns. Numerous travelers and scholars across Italy have drawn different places. Travelers drawing is a way of observing the world, an always very current and effective way of telling the spaces and places visited or crossed. By observing the travel notebook drawings, we can see with "new" eyes, space and time, in a suspended dimension between objective world and subjective involvement. Several travelers arrive in Sardinia in the nineteenth century. For the island, this is the century of European scientific and cultural divulgation: Alberto Ferrero della Marmora, a Piedmontese military officer, will tell them in his atlas, including and above all through the drawing. The experience of re-reading the places visited by the Marmora, paled in our eyes meant until that time unveiled. Drawing again today those same places, highlights how the action of the drawing changes as the look, the hand and the pen retrace signs and shapes of space, and the level of enjoyment that accompanies the drawing becomes the instrument to weigh the qualities of the landscape, its features and its equilibrium.

Descubriendo el lugar a través del dibujo: el viaje de Ferrero della Marmora a Cerdeña

Vincenzo Bagnolo;Andrea Pirinu
2019-01-01

Abstract

The Drawing is characterized as a means of knowledge and a privileged medium for reading, managing and communicating space and form. The investigated reality can be decomposed, analyzed, recomposed and represented through easier and immediate reading patterns. Numerous travelers and scholars across Italy have drawn different places. Travelers drawing is a way of observing the world, an always very current and effective way of telling the spaces and places visited or crossed. By observing the travel notebook drawings, we can see with "new" eyes, space and time, in a suspended dimension between objective world and subjective involvement. Several travelers arrive in Sardinia in the nineteenth century. For the island, this is the century of European scientific and cultural divulgation: Alberto Ferrero della Marmora, a Piedmontese military officer, will tell them in his atlas, including and above all through the drawing. The experience of re-reading the places visited by the Marmora, paled in our eyes meant until that time unveiled. Drawing again today those same places, highlights how the action of the drawing changes as the look, the hand and the pen retrace signs and shapes of space, and the level of enjoyment that accompanies the drawing becomes the instrument to weigh the qualities of the landscape, its features and its equilibrium.
2019
978-84-949196-2-6
El dibujo se caracteriza como un instrumento de conocimiento y un medio privilegiado para leer, gestionar y comunicar el espacio y la forma. El fenómeno investigado a través del dibujo puede descomponerse, analizarse, recomponerse y representarse a través de modelos de lectura más fácil e inmediata. Son numerosos los viajeros y los eruditos que atraviesan Italia dibujando sus lugares. Los dibujos de estos viajeros son una forma de observar el mundo, siempre actual y efectiva para leer, representar y narrar los espacios y sitios visitados y vividos. Al observar los dibujos de los cuadernos de viaje, podemos ver el espacio y el tiempo con ojos renovados en una dimensión suspendida entre el mundo objetivo y la participación subjetiva. Diversos viajeros llegan a Cerdeña en el siglo XIX. Para esta isla, esta centuria sería la de su difusión en Europa través de estos científicos e intelectuales: Alberto Ferrero della Marmora, un erudito y oficial piamontés, la describirá en su Atlas, sobre todo a través del dibujo. La experiencia de releer los lugares visitados por Ferrero della Marmora supone la revelación a nuestros ojos de una realidad histórica. Hoy, el dibujo del natural de los lugares visitados por della Marmora muestra cómo la acción del dibujo cambia a medida que la mirada, la mano y la pluma vuelven a trazar las formas y el espacio, y el nivel de adecuación que acompaña al dibujo se convierte en la herramienta para sopesar la calidad del paisaje en sus características y su equilibrio.
Drawing of landscapes; Travel sketchbook; Nineteenth century; Sardinia
Dibujo de paisaje; Cuaderno de viaje; Siglo XIX; Cerdeña
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11584/258232
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