This research explores the Church and Festival of San Sisinnio in Villacidro, southern Sardinia, Italy. The goal is to create a comprehensive narrative by combining traditional drawing methods with digital technologies, providing a detailed view of this heritage site that goes beyond architectural analysis and which operates in the frontier between the quantifiable architecture and the immeasurable environment. The Church of San Sisinnio, with medieval origins and unique seventeenth-century architectural elements, serves as the subject of study. Set within a landscape rich in cork oak woods and ancient olive trees, the church also plays a central role in the annual "Sa Festa Manna" (the grand festival), deeply rooted in Villacidro's identity. To comprehend the festival's significance, its connection with the landscape, and its historical evolution, a comprehensive approach was taken. This included conducting interviews within the local community to capture personal stories and perspectives from participants, exploring historical photographic archives to trace the festival's development over time, and conducting an architectural survey to acquire technical-graphic drawings. By documenting and visually narrating the Church and Festival of San Sisinnio in Villacidro, a comprehensive resource is provided. This resource not only safeguards the site's physical attributes but also conveys the cultural, historical, and emotional dimensions that underpin its role in local identity, intimately connected with the surrounding landscape and territory. This research aims to contribute to the broader discourse on heritage preservation and presentation, highlighting the role of interdisciplinary collaboration and innovative approaches in comprehending and sharing the multifaceted aspects of material and immaterial cultural heritage.
La ricerca ha come oggetto la Chiesa e la Festa di San Sisinnio a Villacidro, nel sud della Sardegna. L'obiettivo è creare una accurata narrazione che, attraverso la combinazione di metodi di disegno tradizionali e tecnologie digitali ed operando al confine tra l'architettura misurabile e l'ambiente immisurabile, offra una visione innovativa di questo patrimonio. La Chiesa di San Sisinnio, con origini medievali ed elementi architettonici unici riconducibili al XVII secolo, è il soggetto principale dello studio. Situata in un paesaggio ricco di boschi di querce da sughero e antichi ulivi, la chiesa riveste un ruolo centrale durante i festeggiamenti di "Sa Festa Manna", evento che si compie ogni anno ed è profondamente radicato nell'identità di Villacidro. Per comprendere il significato della festa, la sua connessione con il paesaggio e la sua evoluzione storica, è stato adottato un approccio globale. Questo ha incluso interviste alla comunità locale per catturare storie personali e punti di vista dei partecipanti, l'esplorazione degli archivi fotografici storici per tracciare lo sviluppo della festa nel tempo e un rilievo architettonico per acquisire una documentazione grafica dell’edificio religioso. Documentando e raccontando attraverso le immagini la Chiesa e la Festa di San Sisinnio a Villacidro, si fornisce una risorsa completa che non solo registra le caratteristiche “fisiche” del sito, ma trasmette anche le dimensioni culturali, storiche ed emotive che sostengono il suo ruolo nell'identità locale, intimamente connesso con il paesaggio circostante. Questa ricerca intende pertanto contribuire all’opera di tutela e divulgazione del patrimonio materiale e immateriale ed evidenziare il ruolo della collaborazione interdisciplinare e degli approcci innovativi necessari per comprendere e condividere questa importante risorsa.
Integrazione di tecniche analogiche e digitali per la preservazione e comunicazione del patrimonio materiale e immateriale. La Chiesa e sagra di San Sisinnio a Villacidro (Sardegna, Italia). Integration of Analog and Digital Techniques for the Preservation and Communication of Tangible and Intangible Heritage. The Church and Festival of San Sisinnio in Villacidro (Sardinia, Italy)
Pirinu Andrea
;Giancarlo Sanna;Nicola Paba
2024-01-01
Abstract
This research explores the Church and Festival of San Sisinnio in Villacidro, southern Sardinia, Italy. The goal is to create a comprehensive narrative by combining traditional drawing methods with digital technologies, providing a detailed view of this heritage site that goes beyond architectural analysis and which operates in the frontier between the quantifiable architecture and the immeasurable environment. The Church of San Sisinnio, with medieval origins and unique seventeenth-century architectural elements, serves as the subject of study. Set within a landscape rich in cork oak woods and ancient olive trees, the church also plays a central role in the annual "Sa Festa Manna" (the grand festival), deeply rooted in Villacidro's identity. To comprehend the festival's significance, its connection with the landscape, and its historical evolution, a comprehensive approach was taken. This included conducting interviews within the local community to capture personal stories and perspectives from participants, exploring historical photographic archives to trace the festival's development over time, and conducting an architectural survey to acquire technical-graphic drawings. By documenting and visually narrating the Church and Festival of San Sisinnio in Villacidro, a comprehensive resource is provided. This resource not only safeguards the site's physical attributes but also conveys the cultural, historical, and emotional dimensions that underpin its role in local identity, intimately connected with the surrounding landscape and territory. This research aims to contribute to the broader discourse on heritage preservation and presentation, highlighting the role of interdisciplinary collaboration and innovative approaches in comprehending and sharing the multifaceted aspects of material and immaterial cultural heritage.File | Dimensione | Formato | |
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