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EnglishThis essay focuses on the complex relationship between Walter Benjamin and Goethe’s morphological doctrines as a key way into defining the concept of the dialectical image. By analysing a wide and scarcely explored literature, it reconsiders Benjamin’s critical response to the re-utilisation of Goethe's work by German biologists. It thus establishes a theoretical framework for delineating Benjamin's radical opposition to Spengler’s philosophy of history
| Titolo: | La forma come esperimento o come destino | |
| Autori: | ||
| Data di pubblicazione: | 2011 | |
| Rivista: | ||
| Abstract: | This essay focuses on the complex relationship between Walter Benjamin and Goethe’s morphological doctrines as a key way into defining the concept of the dialectical image. By analysing a wide and scarcely explored literature, it reconsiders Benjamin’s critical response to the re-utilisation of Goethe's work by German biologists. It thus establishes a theoretical framework for delineating Benjamin's radical opposition to Spengler’s philosophy of history | |
| Handle: | http://hdl.handle.net/11584/120352 | |
| Tipologia: | 1.1 Articolo in rivista |
File in questo prodotto:
| File | Descrizione | Tipologia | Licenza | |
|---|---|---|---|---|
| Ottaviani, La forma come esperimento o come destino.pdf | versione editoriale | Open Access Visualizza/Apri |
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