This paper rises from a reflection on the notion of ‘time’, ‘history’, and ‘past’ starting from an analysis of the science fiction novel De cuando en cuando Saturnina -Saturnina from time to time- Una historia oral del futuro (2004), written by Alison Spedding (Belper, Inglaterra, 1962). In particular, it will be shown how the novel to dispute the historical narrative and the temporal linearity, and advance an acute social criticism of the contemporany Bolivia and, above all, against the hierarchies of power in its intersectionality of ‘race’, class and gender, as historical constructions that legitimize social inequalities. Finally, this article aims to explore the narrative mechanisms through which the ideas of oral “counter-history” and Aymara temporal “concentricity” are reflected in the novel, at a structural and thematic level.

Tiempo e historia en De cuando en cuando Saturnina

Paola Mancosu
2017-01-01

Abstract

This paper rises from a reflection on the notion of ‘time’, ‘history’, and ‘past’ starting from an analysis of the science fiction novel De cuando en cuando Saturnina -Saturnina from time to time- Una historia oral del futuro (2004), written by Alison Spedding (Belper, Inglaterra, 1962). In particular, it will be shown how the novel to dispute the historical narrative and the temporal linearity, and advance an acute social criticism of the contemporany Bolivia and, above all, against the hierarchies of power in its intersectionality of ‘race’, class and gender, as historical constructions that legitimize social inequalities. Finally, this article aims to explore the narrative mechanisms through which the ideas of oral “counter-history” and Aymara temporal “concentricity” are reflected in the novel, at a structural and thematic level.
2017
Este texto surge de una reflexión sobre la noción de ‘tiempo’, ‘historia’ y ‘pasado’ a partir del análisis de la novela de ciencia ficción De cuando en cuando Saturnina -Saturnina from time to time- Una historia oral del futuro (2004) de Alison Spedding (Belper, Inglaterra, 1962). En particular, se mostrará cómo la novela no se limita a cuestionar el relato histórico y la linealidad del narrar temporal occidental, sino que avanza una aguda crítica social de la Bolivia actual y, sobre todo, en contra de las jerarquías de poder en su intersección de ‘raza’, clase y género, en cuanto construcciones históricas que legitiman las desigualdades sociales. Finalmente, este artículo se propone explorar los mecanismos narrativos mediante los cuales las ideas de “contra-historia” oral y de “concentricidad” temporal aymara, se reflejan en la novela, a nivel estructural y temático.
History; past; time; aymara; sciencie fiction
Historia; pasado; tiempo; aymara; ciencia ficción
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11584/238628
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