The recovery of Sardara’s historical memory and identity has been the cornerstone of a cultural project linked to the so-called “inland tourism” in Sardinia. The archaeological area of Sant’Anastasia, with the nuragic pit-temple, the archaeological museum, the castle of Monreale and the historical centre (with its churches, typical architectures and monuments), emphasises the aspects of the human works and activity, from the past centuries to the “contemporary” art of Pinuccio Sciola.
Comunicare il patrimonio culturale: l'esperienza di Sardara
Ibba Roberto;
2015-01-01
Abstract
The recovery of Sardara’s historical memory and identity has been the cornerstone of a cultural project linked to the so-called “inland tourism” in Sardinia. The archaeological area of Sant’Anastasia, with the nuragic pit-temple, the archaeological museum, the castle of Monreale and the historical centre (with its churches, typical architectures and monuments), emphasises the aspects of the human works and activity, from the past centuries to the “contemporary” art of Pinuccio Sciola.
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