The aim of the thesis is to describe from an historical- cultural point of view the ways according to which Sardinia is represented in a large sample of pictures pubblished in the press and touristic books in the Fifties and Sixties of the last century, using as a temporal limit, the 1951 Federico Patellani's reportage and the pictures taken by Franco Pinna in the occasion of the shepherds' struggle in 1967.
Fotografare un mito. La rappresentazione fotografica della Sardegna negli anni Cinquanta e Sessanta.
DI BELLA, CARLO
2019-02-25
Abstract
The aim of the thesis is to describe from an historical- cultural point of view the ways according to which Sardinia is represented in a large sample of pictures pubblished in the press and touristic books in the Fifties and Sixties of the last century, using as a temporal limit, the 1951 Federico Patellani's reportage and the pictures taken by Franco Pinna in the occasion of the shepherds' struggle in 1967.
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