The continuation of the Abencerraje published in Milan (1593) by Francesco Balbi da Correggio has been relegated to a marginal role in the studies related to Hispanic epic poetry or in the versions of the well-known Moorish novella; however, it probably deserves greater attention in order to review, partially at least, some critical judgments that have become widespread about this literary work. This article addresses some aspects related to its composition and style, in particular in the Chant I, which is significant for hosting relevant elements. It is observed how, together with a consolidated literary baggage of the Italian epic genre during the Renaissance (Ariosto), the author has also assimilated traditional Hispanic readings outside the praxis of contemporary epic authors.

Edad de oro

Andres Renales
In corso di stampa

Abstract

The continuation of the Abencerraje published in Milan (1593) by Francesco Balbi da Correggio has been relegated to a marginal role in the studies related to Hispanic epic poetry or in the versions of the well-known Moorish novella; however, it probably deserves greater attention in order to review, partially at least, some critical judgments that have become widespread about this literary work. This article addresses some aspects related to its composition and style, in particular in the Chant I, which is significant for hosting relevant elements. It is observed how, together with a consolidated literary baggage of the Italian epic genre during the Renaissance (Ariosto), the author has also assimilated traditional Hispanic readings outside the praxis of contemporary epic authors.
In corso di stampa
La continuación del Abencerraje en verso publicada en Milán (1593) por el italiano Francesco Balbi da Correggio ha quedado relegada a un papel marginal en los estudios sobre la poesía épica hispánica o sobre las versiones del conocido relato morisco y merece una mayor atención que nos permita revisar, parcialmente al menos, algunos juicios críticos que se han generalizado sobre esta obra. En este trabajo se atiende a algunos aspectos relacionados con su composición y estilo, en particular en el significativo canto I. Se observa cómo, junto a un consolidado bagaje literario de épica italiana rena-centista (Ariosto), el autor ha asimilado en modo sui generis lecturas hispánicas tradicionales ajenas a la praxis de los autores épicos coetáneos.
Spanish Epic poetry; Golden Age poetry; Abencerraje; Moorish literature
Poesía épica española; Poesía del Siglo de oro; Abencerraje; Literatura morisca
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11584/282713
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