The peculiarity of Dino Buzzati’s allegory is shown through the analysis of his first three narrative texts, the novels Bàrnabo delle montagne, Il segreto del Bosco Vecchio and Il deserto dei Tartari. By means of a number of original solutions, the author appears to be deeply modern in his use of the allegorical procedures. That which prevails in his texts, characterised by the frequent recurrence of liminar spaces such as the mountain and the desert, is a sense of estrangement and a tension toward something unknown, which escapes any univocal meaning and constitutes the fascinating poetic character of the writer.

L’allegorismo buzzatiano da Bàrnabo al Deserto

BADAS, MAURO
2014-01-01

Abstract

The peculiarity of Dino Buzzati’s allegory is shown through the analysis of his first three narrative texts, the novels Bàrnabo delle montagne, Il segreto del Bosco Vecchio and Il deserto dei Tartari. By means of a number of original solutions, the author appears to be deeply modern in his use of the allegorical procedures. That which prevails in his texts, characterised by the frequent recurrence of liminar spaces such as the mountain and the desert, is a sense of estrangement and a tension toward something unknown, which escapes any univocal meaning and constitutes the fascinating poetic character of the writer.
File in questo prodotto:
Non ci sono file associati a questo prodotto.

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11584/68219
 Attenzione

Attenzione! I dati visualizzati non sono stati sottoposti a validazione da parte dell'ateneo

Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact