Applying the tools provided by stylistics and multimodality and focusing on her linguistic and paralinguistic behavior, the paper explores the evolution in the characterization of a prototypical ‘fairy tale princess’, Cinderella, throughout the Shrek saga, as an example of the evolution of the ‘animated feature-length film’ genre itself.
Breaking the Crystal Shoe: A Multimodal Stylistic Analysis of the Character of Cinderella in the Shrek Saga.
ZURRU, ELISABETTA
2010-01-01
Abstract
Applying the tools provided by stylistics and multimodality and focusing on her linguistic and paralinguistic behavior, the paper explores the evolution in the characterization of a prototypical ‘fairy tale princess’, Cinderella, throughout the Shrek saga, as an example of the evolution of the ‘animated feature-length film’ genre itself.
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