Applying the tools provided by stylistics and multimodality and focusing on her linguistic and paralinguistic behavior, the paper explores the evolution in the characterization of a prototypical ‘fairy tale princess’, Cinderella, throughout the Shrek saga, as an example of the evolution of the ‘animated feature-length film’ genre itself.

Breaking the Crystal Shoe: A Multimodal Stylistic Analysis of the Character of Cinderella in the Shrek Saga.

ZURRU, ELISABETTA
2010-01-01

Abstract

Applying the tools provided by stylistics and multimodality and focusing on her linguistic and paralinguistic behavior, the paper explores the evolution in the characterization of a prototypical ‘fairy tale princess’, Cinderella, throughout the Shrek saga, as an example of the evolution of the ‘animated feature-length film’ genre itself.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11584/74800
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