This short ethnographic film about the everyday life of the wholesale fish market in Cagliari, Sardinia, Italy immerses the viewer in the material, sensory, and affective atmosphere of the market space. It presents the broad temporal and spatial rhythms of the market. We see the fish arrive before daybreak, and later we watch as it is packed up and driven off to the next point of distribution or consumption. Within this narrative, the film focuses on the key social practices that underpin trade. At the beginning of the day, we witness the fish merchants’ labor of preparation and display the act of staging value — in readiness for exchange. Once the buyers arrive, they can be seen evaluating the fish with their “skilled vision” or their touch. Negotiations are intense at times and happen in different emotional registers — challenge, angry, insulting, and humorous (some of which appear to be embellished for the camera) — and through social relations which are animated by the market space and the alluring presence of the fish itself. Once trade is over, the remaining fish and the market space are the site of further care and work. The soundscape of the film is composed of multiple voices and the noise of actions and interactions but the film does not rely on language (with the exception of three subtitled exchanges with us), aiming instead to show how buyers and sellers of fish deploy their embodied knowledge and sensory perceptions in their everyday working lives.

The Passage of Fish. A Day in the Life of Wholesale Market

Bachis F;Tiragallo F
2016-01-01

Abstract

This short ethnographic film about the everyday life of the wholesale fish market in Cagliari, Sardinia, Italy immerses the viewer in the material, sensory, and affective atmosphere of the market space. It presents the broad temporal and spatial rhythms of the market. We see the fish arrive before daybreak, and later we watch as it is packed up and driven off to the next point of distribution or consumption. Within this narrative, the film focuses on the key social practices that underpin trade. At the beginning of the day, we witness the fish merchants’ labor of preparation and display the act of staging value — in readiness for exchange. Once the buyers arrive, they can be seen evaluating the fish with their “skilled vision” or their touch. Negotiations are intense at times and happen in different emotional registers — challenge, angry, insulting, and humorous (some of which appear to be embellished for the camera) — and through social relations which are animated by the market space and the alluring presence of the fish itself. Once trade is over, the remaining fish and the market space are the site of further care and work. The soundscape of the film is composed of multiple voices and the noise of actions and interactions but the film does not rely on language (with the exception of three subtitled exchanges with us), aiming instead to show how buyers and sellers of fish deploy their embodied knowledge and sensory perceptions in their everyday working lives.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11584/260198
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