Hotel companies are characterized by the existence of an organizational boundary between work on the scene, in interaction with customers, and in the backstage. The dramaturgical approach is particularly fertile in order to highlight the different rules governing work in these two regions. At the same time, in luxury hotels, the cut between scene and backstage is accompanied by a social division of labor, based on criteria of generation, gender and “race”. The professional logic of scene and backstage employees depends on recognition at work and on the constraints of the service relationship. In companies whose barriers between scene and backstage are more rigid, employee resistance strategies behind the scenes generate more tension which fuel their antagonism with those of the scene.

Servir sur la scène ou dans les coulisses? Une étude dramaturgique des tensions au sein des collectifs de travail dans l’hôtellerie de luxe

Pinna, Gabriele
2018-01-01

Abstract

Hotel companies are characterized by the existence of an organizational boundary between work on the scene, in interaction with customers, and in the backstage. The dramaturgical approach is particularly fertile in order to highlight the different rules governing work in these two regions. At the same time, in luxury hotels, the cut between scene and backstage is accompanied by a social division of labor, based on criteria of generation, gender and “race”. The professional logic of scene and backstage employees depends on recognition at work and on the constraints of the service relationship. In companies whose barriers between scene and backstage are more rigid, employee resistance strategies behind the scenes generate more tension which fuel their antagonism with those of the scene.
2018
Les entreprises hôtelières se caractérisent par l’existence d’une frontière organisationnelle entre le travail sur la scène, en interaction avec les clients, et dans les coulisses. L’approche dramaturgique est particulièrement féconde afin de mettre en avant les différentes règles qui régissent le travail dans ces deux régions. En même temps, dans les hôtels de luxe, la coupure entre scène et coulisses s’accompagne d’une division sociale du travail, mise en place à partir de critères de génération, de sexe et de “race”. Les logiques professionnelles des salariés de la scène et des coulisses dépendent de la reconnaissance au travail et des contraintes de la relation de service. Dans les entreprises dont les barrières entre scène et coulisses sont plus rigides, les stratégies de résistance des salariés des coulisses engendrent davantage de tensions qui alimentent leur antagonisme avec ceux de la scène.
Scène et coulisses; reconnaissance; normes expressives; division sociale du travail; régimes d'inégalité; stratégies de résistance
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11584/277713
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