This essay aims to shed light on the multiple interconnections between the Italian cinema and television infrastructures between 1971 and 1976. Drawing on documents referring to ANICA (the Italian association of film producers and distributors), it analyses how the Italian cinema industry reacted to the multiplication of TV channels, the emergence of the «cable phenomenon» and the consolidation of those foreign televisions – such as TSI (Televisione della Svizzera Italiana), Télé Monte Carlo and TeleCapodistria – broadcasting in Italy.
Dalla sala al salotto. Note sulla programmazione di film nelle televisioni locali via cavo ed estere tra il 1971 e il 1976 in Italia
Diego Cavallotti
2021-01-01
Abstract
This essay aims to shed light on the multiple interconnections between the Italian cinema and television infrastructures between 1971 and 1976. Drawing on documents referring to ANICA (the Italian association of film producers and distributors), it analyses how the Italian cinema industry reacted to the multiplication of TV channels, the emergence of the «cable phenomenon» and the consolidation of those foreign televisions – such as TSI (Televisione della Svizzera Italiana), Télé Monte Carlo and TeleCapodistria – broadcasting in Italy.
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