Since the 1990s, there has been a proliferation of cultural festivals across West Africa. In this article, we argue that border festivals are distinctive. They take on the work of cultural codification in a context where borders often magnify differences between partitioned communities. They also help to shape border governance, because, as moments of exception, they provide a platform on which it is possible to variously criticize and lobby politicians. The article compares two festivals on the Ghana–Togo border – Agbamevoza in partitioned Agotime and Godigbeza in Aflao – and reveals contrasting dynamics. In Agotime, festival organizers (who largely reside in Accra) have managed to involve the border agencies. In a context where crossings have been relatively unhindered, demands have focused on external support to develop the kente weaving industry. In Aflao, by contrast, harassment by border officials, extended closures of the border and decisions to re-route traffic away from the border crossing with Lomé have created friction. In 2022, there were explicit demands for freedom of movement and for recognition of Aflao as a transnational community that embodied the spirit of regional integration.

Border festivals, closures and practical governance: a comparison of Agbamevoza (Agotime) and Godigbeza (Aflao) on the Ghana–Togo border

Nugent, Paul
Co-primo
;
Soi, Isabella
Co-primo
2025-01-01

Abstract

Since the 1990s, there has been a proliferation of cultural festivals across West Africa. In this article, we argue that border festivals are distinctive. They take on the work of cultural codification in a context where borders often magnify differences between partitioned communities. They also help to shape border governance, because, as moments of exception, they provide a platform on which it is possible to variously criticize and lobby politicians. The article compares two festivals on the Ghana–Togo border – Agbamevoza in partitioned Agotime and Godigbeza in Aflao – and reveals contrasting dynamics. In Agotime, festival organizers (who largely reside in Accra) have managed to involve the border agencies. In a context where crossings have been relatively unhindered, demands have focused on external support to develop the kente weaving industry. In Aflao, by contrast, harassment by border officials, extended closures of the border and decisions to re-route traffic away from the border crossing with Lomé have created friction. In 2022, there were explicit demands for freedom of movement and for recognition of Aflao as a transnational community that embodied the spirit of regional integration.
2025
Depuis les années 1990, on assiste à une prolifération de festivals culturels en Afrique de l’Ouest. Dans cet article, les auteurs soutiennent que les festivals frontaliers sont singuliers. Ils participent à la codification culturelle dans un contexte où les frontières accentuent souvent les différences entre communautés partitionnées. Ils contribuent également à façonner la gouvernance frontalière car, en tant que moments exceptionnels, ils offrent une plateforme pour critiquer et faire pression sur les responsables politiques de diverses manières. L’article compare deux festivals à la frontière entre le Ghana et le Togo, Agbamevoza dans l’Agotime partitionné et Godigbeza à Aflao, et révèle des dynamiques contrastées. Dans la région d’Agotime, les organisateurs du festival (qui résident pour la plupart à Accra) ont réussi à impliquer les autorités frontalières. Dans un contexte où les passages frontaliers ont été relativement libres, les demandes ont porté sur un soutien extérieur pour développer l’artisanat du kente. À Aflao, en revanche, le harcèlement des garde-frontières, les fermetures prolongées de la frontière et les décisions de détourner le trafic du poste-frontière avec Lomé ont créé des frictions. En 2022, des revendications explicites ont été formulées en faveur de la liberté de circulation et de la reconnaissance d’Aflao comme communauté transnationale incarnant l’esprit d’intégration régionale.
Desde a década de 1990, tem havido uma proliferação de festivais culturais em toda a África Ocidental. Neste artigo, defendemos que os festivais fronteiriços são distintos. Assumem o trabalho de codificação cultural num contexto em que as fronteiras ampliam frequentemente as diferenças entre comunidades divididas. Também ajudam a moldar a governação das fronteiras, porque, enquanto momentos de exceção, proporcionam uma plataforma na qual é possível criticar e fazer pressão sobre os políticos. O artigo compara dois festivais na fronteira entre o Gana e o Togo – Agbamevoza, em Agotime, e Godigbeza, em Aflao – e revela dinâmicas contrastantes. Em Agotime, os organizadores do festival (que residem maioritariamente em Accra) conseguiram envolver as agências fronteiriças. Num contexto em que as travessias têm sido relativamente desimpedidas, as exigências centraram-se no apoio externo para desenvolver a indústria de tecelagem kente. Em Aflao, pelo contrário, o assédio dos funcionários fronteiriços, o encerramento prolongado da fronteira e as decisões de desviar o tráfego do posto fronteiriço de Lomé criaram fricções. Em 2022, foram feitas exigências explícitas de liberdade de circulação e de reconhecimento do Aflao como uma comunidade transnacional que encarna o espírito da integração regional.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11584/462766
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